Iya Ulyanova: The Architect with the Magic Touch ✨🏗️🔥

She doesn’t just design spaces—she is capable of inhabiting them. Meet Iya Ulyanova, the only architectural visualist who turns plans into dreamscapes, concrete into poetry, pixels into feeling.

Iya, as someone born into the broken shadow of a Soviet brutalist tower, but raised on the electric neon of the digital age, is a true walking contradiction—a cool girl with a drafting pen in one hand and a martini glass in the other. She doesn’t chase trends; she makes trends and serves them up cold. If you could look inside her head you would see a crazy kaleidoscope of geometric abstractions, late-night imaginings, and casual references.

The Hidden Art of Seducing Architecture 🏙️💋

While most of us disengage buildings, Iya disengages stories. Her gift? Translating cold, hard structures, into visceral, sensual experiences. Iya is not merely rendering; she is seducing the walls and veiling them in secrets, sub-tleties, and desires. A stair case isn’t just a stair case; it is a slow reveal, a tease; a flirtatious promise of pleasure waiting on the arrival at the top.

Iya’s work is nothing less than hypnotic. Clients don’t just hire her, they enter into her enthralling world where glass reflects more than light, where steel bends to the loving heart of a woman, like a lover’s spine, where every passage hums a tension of untold desire.

The Cool Girl's Manifesto 🖤🔮

• Independent? She built her empire on the backs of sketches on napkins.**
• Unorthodox? She once designed a penthouse inspired by a tarot card.**
• Brave? She will argue with a billionaire developer in the interest of the soul of the building.**

Iya doesn’t do ordinary. She doesn’t do boring. She creates worlds. Worlds you will ache to live in.

Why follow her? 👁️‍🗨️

Because you are longing for the other side. Because you want to see architecture that feels alive. Because you are tired of playing it safe.

Step into her vision. Don’t hold her responsible if you can never look at a city the same way again.